Sound Design 101 Part 1: The Anatomy of a Room

by: RFR Casket Crew Maestro Macbre

I’m Baaaaaaaack!  I know it’s been a while since I reared my ugly head, but I was finishing up my new album to be released in April!

With the spring right around the corner, you are no doubt preparing for your design and set up of next years haunt.  What better time to go over the basic resources available to you to achieve a professional sounding haunt!  As I’ve touched before in my previous posts, sound is very important in a haunted attraction.  So I won’t spend as much time on that as I do basic information regarding equipment, set-up, sound creation and planning.  It’s actually easier than you would think to sound like a professional haunt.  If you are a professional haunt, there are always ways to improve your set up!

In this first part I will go over the process of laying out a sound system and location of speakers.

The first principle in laying out a haunt is flow and scares.  With my company we often sit down first and ask the designer to “walk” us through the haunt.  Although it may not be built we can still get a mental picture of space, props and feel.  Some good questions to ask yourself and fellow designers:

Picture the room and imagine the set up with me.

What Kind of Music Calls to this Room?

What kind of sounds would I hear in this type of area?

You are standing in the entrance to the room.  To the left you see bookshelves askew.  They would shake and cave in as you walked by.  The organ would then play blowing smoke and flashing lights as two “Statues” came to life and lunged at you.

What action or cue sounds are needed?

The action started with the organ blaring and vibrating.  This caused the book cases to vibrate and fall.

What will I need?

All of this only used two speakers and one prop controller and one sensor.

The “Bed” of a creaky cavernous room was the preset loop on the controller.  The Speaker Located at the top of the room, angled to hit the entire room with sound. As the props (the Organ and Shelves) would activate the controller hit the cue triggering both controllers.

Where are the sources?

The Cue played the Organ through a Large Powered speaker from behind the organ through the right channel and the book cases through the left. Creating two different sound sources from one controller.

This is just an example of how I broke down this room.  Some are simpler and others may take more thought.  The same questions should be asked though.  Let’s take a closer look at the break down.

What kind of sounds do I expect to hear in this area?  

This is what I like to call a “Bed”.  A bed is an ambient looped track that creates a general overall feeling. For instance:

A Chapel:  Wind howling through the corridors, large room reverb creates the illusion of size and depth.

A Crypt: Closer Cavernous reverb and echo, with dripping sounds.

You get the point, these are often called ambient albums.  For examples of these check out “Gothic Nightmares”.

The bed will often sound distant but the closer sounds should sound as if they are close and crisp, this is where high quality speakers help.  This itself is a little challenging.  Finding the proper space may jump out at you, but often takes adjusting to make sure sound fills the entire space. The best way to plan for this is to look at the room highlight the path of the patrons, and figure that you want to point the sound right at them.  Ideally this is directly above, however that’s not always possible.  But aim high and save a space to roughly work with dialing it in.  Put it on your blueprints.  While you are leaving that space figure out where the source is and leave space to easily access that.  It may be in a neighboring room, control room or other space, but make sure you are able to access it with little exposure to patrons.  I will cover this more in part 2.

What kind of Cue is needed? What will I need and what are the sources?

The Cue needs to surprise your patrons, but also needs to make sense and come from an unobstructed source.  The human ear is very keen, if your prop comes from the left and your sound from the right, it would calculate in the brain correctly, meaning that it will seem cheap and transparent.  Placing a speaker for a scare is even trickier than placing a speaker for a bed.  Small speakers, unless powerful and clear will not come off well, I like to use studio reference monitors for these (I prefer guitar center, because of the pro coverage replacement plan, ask me for more info).  They are clear and precise.

These key elements should be focused on each room and always present in construction and design.

Transient rooms or hallways rely heavily on sound.  The same careful planning should be taken for those as well.  But with on important difference, the volume.  The volume in these go between areas will not only create the illusion of transporting to another area, but it will also mask the sound from the previous and upcoming room, fighting sound with sound.  The sources can often be shared to save money on players.

The needs are typically two monitor speakers, a boobox or mp3 player and a sensor.  The placement of these will be discussed more in depth in the next segment, but spending a little more upfront on good equipment will save you money and frustration in the long run.  Plan early and keep sound in mind with visual effects and props.  With this in mind you can have a haunt that you do not need to turn on and off every night one mp3 player at a time!  More on this in the next segment!

Until then, Sit back, relax and rot away!

Rotting Flesh Radio SHOW #250: Creepy Collection, Transworld, Twisted Woods, Virgil Franklin, Horror Fields and more!

SHOW NOTES FOR THE WEEK OF MARCH 2, 2012 SHOW #250

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THIS WEEK’S SHOW NOTES:
Transworld is just a short time away and to get you in the Haunting mood Deadites we have CREEPY COLLECTION stopping in this week. Creepy Collection is going to give you hints to their ALL NEW item in the interactive Haunted House at Transworld, some new items and vendors for the upcoming Haunt Season and more.

In addition we have some attraction goodies for you as RFR Casket Crew’s Rabid Badger comes to us from two events in the HORROR FIELDS and TWISTED WOODS. The owners of these attractions talk with RFR about the event, highlights and what to expect in a good scare from their Haunts. And if that wasn’t enough we RFR Casket Crew Storm back with In A Haunt Minute, ranting as only a haunter can do and Master of the Ethermuse VIRGIL FRANKLIN comes to the show to announce a brand new huge project he is working on.

This week in Haunt Industry News we have information covering Dark Imaginings, Toxic Toons, The Darkness, Transworld, Mad Monster Party, Trick or Treat Studios, The Garage of Evil and more from the Haunt and Horror Industries this week.

So look at what the Bat Dragged in this week Deadites all you Fright Freaks, Haunters and Halloween Junkies, you can…
Sit Back, Relax and Rot Away to Rotting Flesh Radio!

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Rotting Flesh Radio #249: RFR Kicks Into 2012 with HAUNTED PYRAMIDS, Deadites and more!

SHOW NOTES FOR THE WEEK OF JANUARY 23, 2012 SHOW #249

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THIS WEEK’S SHOW NOTES:
It’s time to get your haunt on in the cold winter as this week RFR kicks it into the new year by bringing you the HAUNTED PYRAMIDS during this past haunt season. RFR Casket Crew’s Badger was on location Halloween Weekend and brings us all the Haunt Fun with interviews, the cast, crew and more from the Haunted Pyramids to keep you in the haunting mood as we gear up for Transworld.

In addition RFR Creator and Host Jonathan discusses Deadite Emails, Answers Questions Submitted, and more. There are all kinds of Twisted Goodies to keep you Rotting and Rolling as RFR is Back like the Walking Dead.

So as we continue to Rot Forward, Deadites and RFR are together again for the first time as so to put it all you Fright Freaks, Haunters and Halloween Junkies, you can…
Sit Back, Relax and Rot Away to Rotting Flesh Radio!

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Rotting Flesh Radio SHOW #247: Scare-A-Torium, Ashley Lawrence, The Attic and the Annual Haunt Tours!

SHOW NOTES FOR THE WEEK OF SEPTEMBER 23, 2011 SHOW #247

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THIS WEEK’S SHOW NOTES:
Alright all you Fright Freaks and Halloween Junkies, the Annual Haunt Tours have arrived! Yes, as we kick off the Annual Rotting Flesh Radio Haunt Tours by hitting the rode we have a jam packed Body Bag for you this week. To kick things off we have Kelly Collins from the Scare-A-Torium Haunted House stopping in with RFR Casket Crew’s Pierce on location during the build of the event.

In addition Haunted Europe is back and this month Mike is bringing you Micheal Bolton, the creator and brain behind Europe’s ScareCon! And Deadites, things don’t slow down yet, because Gruesome Joe is here with the Musical Morgue giving you an in-depth look at the Haunt Rocker’s newest release, The Attic.

We have a Body Bag full of Haunt Industry News and Events for the week and RFR Casket Crew Storm is here with another Halloween Rant In a Haunt Minute and Joey Blood is bringing you all the Bloody Blu-Ray releases for the week!

And Dog Soldier has a special treat for you as he brings us an exclusive interview with Hellraiser’s Ashley Lawrence! Jigsaw Jim is here with a Rancid Review of Sinister Cinema and we have all kinds of Morbid Goodies for you this week.

There are ALL-NEW Rules to Win the Screamline Studios Graverobbing Giveaway and Twisted Tunes from the Grave.

So all you Fright Freaks, Haunters and Halloween Junkies, you can…
Sit Back, Relax and Rot Away to Rotting Flesh Radio!

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The Haunt Rocker’s “Headless Man” Music Video Keeping Halloween Alive

Walt Disney's Classic "The Legend of Sleepy Hollow"

The Haunt Rocker Jerry Vayne recently released his newest Haunt-strumental CD, THE ATTIC and tune into the newest Rotting Flesh Radio for Show #247 to hear a full review from our RFR Casket Crew Gruesome Joe.

But until then, to kick off the Halloween and Haunt Season, back in 2007, Jerry asked me what would I like to hear to keep Halloween alive, I replied, the Bing Crosby classic Headless Man done Halloween Metal Style and he said “That’s what I had in mind too.”

So from there “The Haunt Rocker” Jerry Vayne (from Foxy Roxx) teamed up with Timm Tantrum (from Psycho Gypsy, Snake City Playboys, Fantom Black) and proceeded recreate the Bing Crosby/Disney classic “Headless Man”. It first aired on Rotting Flesh Radio and is a must to add to your Haunt and Halloween Party Mix!

To add to the fun on a song that never gets old, Here is a fun video Timm made for the track!

HAPPY HALLOWEEN AND KEEP IT LOUD…SIT BACK, RELAX AND ROT AWAY…

Rotting Flesh Radio SHOW #246: Halloween & Haunt Season Arrives

SHOW NOTES FOR THE WEEK OF SEPTEMBER 16, 2011 SHOW #246

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THIS WEEK’S SHOW NOTES:
The Haunt Season has arrived! This week we kick off the Halloween and Haunt Season with a jam packed show featuring the ALL HALLOWS REVENGE, SCREAM ACRES COURT, and THIRTEENTH STREET MORGUE all stopping in to the show! Each of these Haunted Attractions are stopping in and discussing the Haunt Season, what to expect out of their event this year and more!

In addition we have Chuckles the Clown along with RFR Casket Crew Storm with In A Haunt Minute. Joey Blood is back with this week’s Bloody Blu-Ray Releases this week and RFR Casket Crew Pierce is back with Fresh Meat discussing Prosthetics for Scare Actors.

This week we have Haunt Industry News covering Costumes for Kids Charity, Derek Mears, House of Shock, The Halloween Festival, Trick or Treat Studios, Halloween Asylum, Distortions Unlimited, The Travel Channel, The Dent Schoolhouse, Ashland Oregon’s Halloween Parade, The Haunt Rocker Jerry Vayne, Wednesday 13, SeaWorld’s Spooktacular, Scare A Torium Haunted House, The Baysox Psycho Safari, Scare Kingdom in the UK, The Nashville Nightmare Haunted Attraction, Toxic Toons, Canadian Haunted Attractions Conference, Fright Catalog, Haunt Kits, Haunted Mansion Event at Contemporary Resort, Trick or Treat Under the Sea, North Carolina Aquariums, Faces of the Great Pumpkin Contest, Ghostbuster Re-Release, Alice Cooper’s New CD, Robert Englund, and more from the Halloween and Horror Industry this week.

We have RFR Casket Crew’s Badger replying to Deadite Listener Emails, and more.

There are ALL-NEW Rules to Win the Screamline Studios Graverobbing Giveaway and Twisted Tunes from the Grave.

So all you Fright Freaks, Haunters and Halloween Junkies, you can…
Sit Back, Relax and Rot Away to Rotting Flesh Radio!

THIS WEEK’S SHOW: LISTEN NOW BELOW OR
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Alice Cooper’s ‘Welcome 2 My Nightmare’ is Here!

Welcome 2 My Nightmare

So as we have mentioned many times on RFR, the sequel album to Alice Cooper’s original hit is out now! Dropping online, in stores, and more, you can now get your copy of WELCOME 2 MY NIGHTMARE.

This has been a long anticipated follow up to the original LP of the same name. And Alice hasn’t been sitting down on the promotion either. We recently posted on the site, that Alice is also have his own Haunted Attraction at the Universal Halloween Horror Nights in California.

From his personal appearances throughout rock history from Television, Music Videos and even The Muppet Show, Alice set the Horror Trend in Rock N Roll as the innovator of the genre. Many have followed in his footsteps so much so the Newest Wednesday 13 Single ‘Something Wicked This Way Comes’ (Click Here to Listen to The Track) mentions Alice Cooper as his childhood inspiration!

The tracks from this sequel album over 35 years overdue are hard hitting, riff splitting and classic in true Alice style. With tracks like ‘The Nightmare Returns’ or ‘I’ll Bite your Face Off’, Alice pulls out all the punches. True to Horror, the spooky feel and the complete storyline of his albums in concept ring true.

It may be over 35 years too late, but better late than never from the Original Rock Horror Icon!!

BUY WELCOME 2 MY NIGHTMARE ON AMAZON by CLICKING HERE

ABOUT ALICE COOPER:
“Every great production deserves a sequel – even if comes 35-plus years after the original. In 1975, Alice Cooper joined forces with longtime collaborator and producer Bob Ezrin to record his first solo album Welcome to My Nightmare, a theatrical concept album about the nightmares of a young boy named Steven. Now, he’s followed Steven into adulthood and presents Welcome 2 My Nightmare, a new but familiar concept album about the fear, anxiety and disgust that haunt Alice Cooper’s dreams in an era of Facebook, Lady Gaga, Sketchers and Angry Birds.

“Alice hates technology, disco is still a nightmare for him and working in a cubicle from nine-to-five would give him cold sweats,” Cooper says. “At the same time, this is a nightmare so all these normal life things are thrown into this crazy world that’s only logical when you’re in the nightmare. You could have an elephant in your garage, and you’re on the lawn in a pink tutu cooking hot dogs. And at the time it’s fine. But when you wake up you go, ‘How insane is that? Where did that come from?’ So we realized that having Alice in a modern-world nightmare is a great place to come from theatrically because we can go anywhere we want and make it as insane as possible.”

Alice Cooper: The Original Horror Icon

A wild, surreal odyssey, Welcome 2 My Nightmare provided Cooper and Ezrin the opportunity to work with numerous musicians and experiment with various musical styles. The three surviving members of the original band, guitarist Michael Bruce, bassist Dennis Dunaway and drummer Neal Smith, co-wrote three songs and they all played on “When Hell Comes Home,” a gritty ‘70s-style rock track about the nightmare of domestic abuse. “I wanted the song to feel like it was off of Love it to Death or Killer, Cooper says. “But we never had to talk about playing the song ‘70s-style, they just did it. It was great and there was nothing we could do to make it any more ‘70s ‘cause that’s just the way these guys play.”

The collaborations with his fellow original band members stemmed from their 2010 induction into the Rock and Roll Hall of Fame, for which they reunited to play four songs. “I was always looking for a logical reason to work with them again,” Cooper says. “When we broke up there was no bad blood. Most bands break up and they start suing each other. We never broke up on that level. We broke up on a very friendly level. ‘You go do what you’re gonna do, I’m gonna do what I’m gonna do. Let’s see what happens.’ When we got in the Hall of Fame I called them up and I said, ‘We have to do four songs. Let’s get together and rehearse.’ And they sounded great. They played great. We did a few projects after that. We played a couple times together. And I said, ‘Let’s keep it going. Let’s get these guys on the album.’ And Bob said, ‘That’s a great idea. Let’s write with these guys.’ It just worked.”

The first single from Welcome 2 My Nightmare, “I’ll Bite Your Face Off,” is about a gorgeous but deadly female who takes Alice by the hand and guides him through the various scenes of his nightmare. The song was co-written by Neal Smith and features a swaggering ‘60s British rock rhythm, brash, bluesy guitars and sneering, seductive vocals. “We tried to make this sound as much like early Rolling Stones as possible and we really did capture that,” Cooper says. “We’ve been doing it onstage and the audience sings along without knowing the song.”

On “Disco Bloodbath Boogie Fever,” Cooper combines a tongue-in-cheek disco beat and rhythm with near-rap vocals and lyrics about taking a machine gun to zombie disco dancers who refuse to die. Then there’s the zany surf rock of “Ghoul’s Gone Wild,” the derelict down-on-his-luck slur of “The Last Man on Earth,” and the Beatles meet Gary Glitter show tune “The Congregation,” which stars Rob Zombie as a narrator describing such modern-day nightmares as telemarketers, lawyers, pimps, mariachi bands and mimes.

One of the highlights for Cooper is the throbbing, modern rocker “What Baby Wants,” which stars Ke$ha as the devil. “Some people thought I was crazy to have Ke$ha on the record, but I never saw her as one of these Britney Spears diva girls. I saw her more as a rock singer. So I said, ‘Let’s present you not as a diva, but as a rock singer on this.’ We wrote the song together and in the end the darker lyrics were hers.”

Like The original Welcome To My Nightmare, which was highlighted by “Only Women Bleed,” Welcome 2 My Nightmare also features a lovelorn ballad, “Something to Remember Me By,” which was written with Dick Wagner back when they released “I Never Cry” in 1976. “We never used it on an album before because I never felt I was good enough to sing that song,” Cooper reflects. “It was never in my key, I could never get it right. Finally, we got it where my voice is in the right place so we included it and it may be the prettiest ballad we ever wrote. Steve Hunter played guitar on it and we really got a nice Beatles-y sound out of it. So when you’re listening to it you hear this really pretty romantic song and then you realize that in the Nightmare Alice is singing to a pile of bones that used to be a girl.”

Fans of the first Welcome To My Nightmare will recognize melodic references to the original woven throughout the new record. For example, in the cinematic minor-key song “The Nightmare Returns,” Ezrin plays the theme from “Steven” when Cooper sings, “I think we’ve heard that song before.”

“I really like the idea of having some of the musical identity of the first album showing up in the second album,” Cooper says. “It really connects the two and if you’re a real Alice fan and you hear those themes it makes you feel comfortable.”

Welcome To My Nightmare, which came out in 1975, was a landmark album for Cooper. It was his first solo release, following a historic string of anthems written and recorded by the original band between 1971 and 1974, including “School’s Out,” “No More Mr. Nice Guy,” “Elected,” and “I’m Eighteen.” A multimedia smash long before the dawn of music television, Welcome To My Nightmare proved that Cooper could remain popular musically and could take theatricality to an entirely new level of dream by exposing audiences to the crippling fears of a seven-year-old child with an active imagination.

Welcome To My Nightmare spawned two major singles, the ominous, anthemic title track and the beautiful, melancholy acoustic ballad “Only Women Bleed,” and featured narration by horror movie icon Vincent Price. In addition to touring the live “Welcome To My Nightmare” show, Cooper created the prime time special The Nightmare, which was essentially the first long form music video. The program debuted in April 1975. In September he shot the concert film “Welcome To My Nightmare” at London’s Wembley Arena.
“A seven-year-old kid is pretty sure there’s something living in the closet and thinks that something is waiting for him under his bed,” Cooper says. “His toys are probably coming to life and trying to kill him. And I thought, ‘Well, that’s a good general approach for the album because we’ve all been kids and we’ve all had those nightmares.’”

Wednesday 13 Debutes New Single ‘Something Wicked This Way Comes’

Something Wicked This Was Comes by Wednesday 13

Wednesday 13, The Horror Rock man who has been a guest on Rotting Flesh Radio as a guest and also had his music on the show, is no stranger to Horror Rock Fans everywhere.

Recently Wednesday 13 reunited with the Murderdolls and released a new CD a few year ago. Now, getting back to his catchy riffs, horror lyrics and solo career, Wednesday is amping up for his newest CD to drop soon ‘CALLING ALL CORPSES’.

The new single is titled ‘Something Wicked This Way Comes’ and serves as a look back to Wednesday’s childhood filled with toys, horror and more. The song is catchy, the riffs are heavy and Wednesday’s style is very apparent once again. Although many will hope the song is filled with references from the 80s Walt Disney Productions film featuring Jonathan Pyrce, it has nothing more than the title to share. But this doesn’t affect the power horror heavy hitting song Wednesday is known for.

Take a listen and jam away. The CD can be found on amazon as well as the debut single at: www.Amazon.com – Something wicked This Way Comes

SOMETHING WICKED THIS WAY COMES by Wednesday 13

We are working to get Wednesday 13 back as a guest on Rotting Flesh Radio but until then, Sit Back, Relax and Rot Away to his newest horror release Deadites!!!

Free Catalog and Haunt Kit from Fright Catalog When You Join the ‘Haunt Club’

Fright Catalog's Haunt Club

Are you excited for Halloween? Counting down the days? Then the Haunt Club from Fright Catalog is for you!

The All-New Haunt Club is a way for you to stay in the Halloween Mood all year. And by joining the Haunt Club for $4.95 you get a 100 page printed catalog from Fright Catalog full of Props, Costumes, Music, Masks and more. You will get three Horror Movies on DVD, and a CD chock full of eerie music for your Home Haunt, Pro Haunt or Spooky Needs.

You will also get year round promotions and specials from the Fright Catalog, and the exclusive Haunt Kit as well. This package retails at a $50 Value. Yours FREE for only $4.95 S&H when you sign up for our Haunt Club.

If you would like to get your FREE Haunt Kit and more visit: www.FrightCatalog.com and get yours because these are LIMITED! We will post photos of ours once it comes in the mail.

Halloween/Haunt Sale at Over 30% Off, Tours, Loops and More…

Halloween Savings at Over 30% Off

With the Haunt Season right around the corenr, we here at Rotting Flesh Radio have a few options left for you to get some exposure, coverage and more this season.

We want to give you some fantastic deals and since Halloween is our Christmas, we have a limited time discounted prices available until September 16.

Listed below are our limited packages for the haunt season. These are a first come basis.

We are here because of you, the deadites, and want to promote and help you grow as well.

If interested in any of the packages, please contact us directly at: sales@rfrpodcast.com

Thank you once again and we look forward to helping you.

Jonathan Johnson
Owner / Host of Rotting Flesh Radio

________________

One Year Sponsorship for RFR at 30% Off:
$1200.00 (Limited to one spot)

This is a great way to promote all year long. As a sponsor you will gain:

240×240 Web Banner
Weekly Mention on RFR
2 Featured Guest Appearances
45-60 Second Commercial Every Week
Logo on Rotting Press Emails
Logo as a sponsor on RFR Printed Materials

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One Year Minor Sponsorship at 30% Off
$750.00 (Limited to Two Spots)

240×240 Web Banner
30 Second Commercial Every Week
Weekly Mention on RFR
One Featured interview Appearance

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On-Air / Web Banner Combo for 3 Months at 20% Off
$350.00 (Limited to Two SPots)

240×240 Web Banner
45 Second Commercial every Week on RFR

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FEATURED HAUNT TOUR:
(final two spots available for this season)
The annual featured haunt tour is $600.00

**Please look at our note and post about what you get as a featured haunt tour**

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120×240 Web Banner for One Year at 30% Off:
$250.00 (Limited to Three Spots)

Basic placement of a 120×240 Web Banner for one year.

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CUSTOM QUEUE CDS for your event, Sound FX and more.
$150.00

Get a 60 minute custom Audio Loop for your queu line

Get all source files after season

Get a CD Archive, MP3, Loseless FLAC, and AIFF versions of the loop

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Commercial Creation
30-45 Second Commercial Creation

$100.00

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